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We’ve updated our Terms of Use. You can review the changes here.

Martian Lamps

by Martian Lamps

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1.
Okay... Talk about saving the best part for the last and throwing the rest in the trashcan of my past But the eyes I grow today are in my mind and the things I feel today are truly left behind The caffeine-poppy-seed-christian-hip-hop band is living on the corner in a Sunbeam fucked-up van But the truth that we all play we'll realize when the machine at the end will come down from the splattering skies
2.
Captain John sings the one you know Seems the solitude’s been good to you In endless days spent underneath the sun When turning back’s impossible In summer when the violets in bloom They’re coming up so easy In spring, the falling moon is sighing Oh ohhh And under starlight, the deal was signed In writing from antiquity
3.
Far below the running feather springs we wait for starry skies (days are turning into night) Nights of sulphur-driven flying things too late to hide our eyes (eyes are burning in the sun) Thoughts meander through the trees I can see it all in front of me but how can I believe?
4.
The world rolls down my street Take a seat and sit right through the Preacher and the Bat Cage Don't worry yourself The side-show saturation Don't worry yourself Witness the drowning in the Baptism Chamber... Don't worry 'bout me The Ticket-holder eats the Taker Don't worry 'bout me Don't worry 'bout me
5.
Whatever happened to her head? (oh no - it was alone) and fell off to the farthest lane It seems like everything we tried (to arrange or surmise) The head just would not be revived The pretty lips that utter lies (oh shameful disguise) Now the nose and mouth are full of flies (whatever happened to...) (the world rolls down my street...)
6.
1969 03:42
You think you are over it Now you’re not so self-assured It came back from the dead again Promising all the cure You don’t even remember the day it fell from the sky And by now, you’ve convinced yourself History made the sun With banging and clockwork gears Honored by everyone They can’t even remember the day it fell from the sky
7.
Something ’bout the way I hold myself erect Something ’bout the way I hold myself in check Her needle’s hitting red in the danger zone Too long has she been stuck alone Now her shields are down, her engine’s running hot Can’t say that I am not And now she’s losing ground She’s on overload Can’t turn her down now that she’s gonna blow She’s on overload And when she’s set to go, baby nobody knows Open up your doors ’cause I’m ready to land I’ve got the situation well in hand Her lights are flashing now, I exercise my right Ooh, it’s feeling alright! Her punishment won’t be soft . . .
8.
Emily – you’ll carry on Fall into place It’s there in your eyes: Magic and fun Worried the sun won’t return when the day is done We watch the days spill pouring into place And our destination’s a stop along the way We watch the days spill pouring into place And our destination’s a stop along the way The reflections we’re leaving are long, long, long It’s a scape, an opening into the Beyond Time and space, in a flurry of motion, we’re gone, gone, gone In a race, body and mind Emily – you’ll carry on Fall into place It’s there in your eyes: Magic and fun Worried the sun won’t return when the day is done
9.
Hello Rocket 03:47
Hello Rocket you're a firebird in the sky You're a beautiful deceiver flying by Radiator talkin' like a ventilator, underbred Like a fizzled-out comet you're a tail without a head Shoot for the sun and not the moon are you coming real soon? Rocket you fly so high but you let me down Don't you know I'm on the ground? Particle Projector flashing maximum DNA Forget krishnamurti you're DOA Simulation guru on a one-way holy train You're taking your genius on a one-man campaign Shoot for the sun and not the moon are you coming real soon? Rocket you fly so high but you let me down Don't you know I'm on the ground? All your days of solitude are louder now All your children coming to their senses now...
10.
Sunrise, coffee and papers in a downtown café She’s high, swallowing all of the news Third Street canopy breezes and the day’s first cigarette Green light saying goodbye with a song It’s in a burned-out building on a shelf in the basement Broadcast signal from a backwards design She’s in a phone booth trying to make a call Seeing it ending You’ve known since the beginning... (Pacify . . .) Tell me something (Be the one I . . .) I don’t know (Promise you’ll wake me . . .) We’re surface dwelling Dying inside Do you rest in lovers’ eyes? In lovers’ eyes you get it right Driving, eyes on the pavement, it’s a long way back home He’s shy, lost in the rearview mirror It’s down to one of us leaving or we’ll turn inside out We end up following turns And the seconds will burn And the scenery’s alright It’s a long way from feeling the feeling it’s ending Broadcast belief from backwards in time She’s in a phone booth trying to make a call But the numbers are falling You’ve known since the beginning... (Pacify . . .) Tell me something (Be the one I …) I don’t know (Promise you’ll wake me …) We’re surface dwelling This time In the final moment Tell me everything’s not all wrong Do you rest in lovers’ eyes? In lovers’ eyes you get it right
11.
Lavender 05:01
Brown and green the leaves are down Fallen chamber scenes on the ground Satellites of infrared-ish lights are pressing my eyes Everybody knows I love lavender and you Ruby Keeler shorts in the fountain Everybody knows it's time for the bloom Why do I sit on the outside looking through? The burning jasmine, saccharine and pine dedicates and infiltrates my mind Million dollar ape suits and electric summer skies Everybody knows I love lavender and you Ruby Keeler shorts in the fountain Everybody knows it's time for the bloom Then why do I sit on the outside looking through?

about

Martian Lamps are a band from the Silverlake, CA area who in the early 2000's played shows around town at Spaceland, the Derby, El Cid among others.
This is the Martian Lamps only official release. Stay tuned for more...

credits

released January 1, 2003

Gregory Griffith (Ziegfeld): vocals; guitars; synth; trumpet
Andre Barretto: vocals; bass
Aaron Criswell (DREAM APES): vocals; guitars; bass; synth
Jim Mills (EXTRA): vocals, guitar; bass; piano; organ; drums

written, produced & engineered by the Martian Lamps (see individual track credits)
Tracks 1,3,4,5,9,11 published by BMI/Whooping Kafka Global
Tracks 2,6,8 & 10 published by BMI/Aaron Criswell
Track 7 published by ASCAP/Extra Tracks

cover painting: Ron Griffith
mastering: John Golden
sequencing: J.J. Golden
layout: Antonio Mendoza
inside photography: Heidi Servey
quilts: Karen Young

© 2003 VISCOUNT RECORDINGS

FIND: DREAM APES (dreamapes.bandcamp.com/music)
FIND: EXTRA (extraextra.bandcamp.com/music)

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Ziegfeld Los Angeles, California

Gregory Griffith ("Ziegfeld") has been composing and recording music for many years in various incarnations. He is currently playing guitar, melodica and singing back-up for Malcolm Mooney (of German band CAN) for Malcolm's live shows. "The Cross-Out" will be his first solo record released under this AKA. ... more

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